Category: Music

  • Slow burners

    Slow burners

    There’s a saying in the music business – “Don’t bore us, get to the chorus!” This is particularly true in the pop world, where it’s all about getting into the body of the song quickly and getting those little melodic hooks and sing-a-long choruses into the listener’s ear as soon as possible.

    However, outside the artificial, hothouse environment of disposable pop ditties, there are classic songs that fly in the face of this particular rule-of-thumb. They have long, slow-burning, gradual magic intros. If you know them, you recognise them immediately and then just smile and enjoy listening along, waiting for everything to kick off. And, for my money, here are four of the best. At least two of these are absolute classics that almost anyone who grew up during the 70s will know. The other two are probably slightly less well-known (unless you happen to be a Jethro Tull or Steve Earle fan) but are brilliant examples of slow-burning intros nevertheless. Particularly the one from Steve Earle, who manages to get more than halfway through the song and sings the first two verses before the band fully joins in. Way to go that man!


  • Musical Losses…

    Musical Losses…

    Sticking with my current musical theme, but with with a much more sombre twist, the last couple of weeks have seen the loss of three musical greats of our time. Even though their particular types of music and styles were vastly different, each of them was supremely innovative and genre-defining in their own way. They were also all associated with keyboard instruments of one form or another so are, perhaps, a little closer to my own heart than most other musicians.

    First of all, on the 21st April 2020, the world lost a remarkable musician by the name of Florian Schneider. You may not recognise the name straight away (unless you happen to be into electronic music or synthesizers and such things) but you’ll certainly recognise the name of the band that he founded along with Ralf Hutter – Kraftwerk. Innovatively electronic, delightfully robotic and inspiringly creative, Kraftwerk were always a towering force in the vanguard of electronic music and paved the way for countless electronic and synth-pop artists that have followed in their footsteps ever since.



    A couple of weeks later, the sad news broke that David Greenfield had passed away. This is another name that you might not recognise immediately, but if I asked you to think about an absolute masterpiece track from a UK punk band that included a harpsichord in its musical arrangement, you might be able to work it out. Dave Greenfield was the keyboard player with the Stranglers and, while his distinctive playing and choice of sounds were part of what made the Stranglers special in the punk and post-punk era, it’s probably the following track that really shows just how good he was. (And, having rehearsed this track with a covers band many years ago, I can confirm that it’s a lot trickier to get right than you might think!)



    Finally, we come to May 9th 2020 and I’m pretty sure I’m not going to need to explain who this guy is. A dynamo, a wild man, one of the founding fathers of rock ‘n’ roll and a musical force of nature, bar none. Farewell to the amazing artist who could get any joint jumping – Richard Wayne Penniman or, as he was much better known, Little Richard.



    Thanks guys – you all made the world a better, more interesting and more musical place and you’ll be missed.

  • A trip to the beach…

    A trip to the beach…

    Today’s magic intros are a bit of a cheat. Two of them are very short and the third song doesn’t really have any kind of intro at all.

    However, all three of them are so distinctive and immediately recognisable that I think they still count. Particularly since they are all totally wonderful and never cease to bring a smile to my face.

    They’re all from the same band and – if I’m being honest – I could probably have picked half a dozen other songs of theirs without having to don my thinking cap. The first is one of their early, bouncy, light pop numbers, while the other two are from a bit later when the incredibly talented Brian Wilson really hit his stride…


  • All about the bass…

    All about the bass…

    Today’s magic intro songs get the ball rolling with some distinctive bass guitar work – the first two using descending runs on the bass to kick things off, while the third has one of the greatest bass riffs in the business.

    It’s back to the seventies we go…


  • More magic…

    More magic…

    Continuing on the magic intro theme, today we’re thinking about those songs that announce their arrival with an electrifying blast on the electric guitar. Of course, there are countless candidates in this category and I could probably come up with a dozen or more without having to think too hard, but here are three of my favourites, kicking off with the man who really started the whole ball rolling…


  • The magic intro…

    The magic intro…

    You know, I’m enjoying this little spell of musical stuff here. So much so that I’m going to keep on doing it.

    Today, it’s all about the Magic Intro. “Adrian”, I hear you ask, “what’s the magic intro?”

    Sorry, what? You didn’t ask that? Oh well, I’m going to tell you anyway.

    The magic intro is a term I’ve come up with to describe something that some songs seem to have. It’s those few opening bars (or sometimes even just sounds) that are so distinctive, that you know so well and which cause you to say to yourself “Hell yeah! I love this song!” In fact, for the really good examples, you won’t just say it to yourself, you may even say it out loud to the world, with no regard to who may be listening and whether they think you’re some kind of loony. (Actually, it might just be me who does that, but I digress…)

    Songs with magic intros almost certainly vary from person to person (just as musical tastes do) but I have a theory that they may show some threads of commonality based on your formative years and what kind of music was prevalent during your teens. But that’s just my theory and may be a complete sack of giblets.

    In any case, I’m planning on spending the next few weeks (maybe longer) wheeling out some of my own, favourite magic intro songs. Just for the sheer pleasure of hearing them and, possibly, reminding you, dear reader, of some gems that you may have temporarily forgotten.

    Today, a trio of electronic classics from the late 70s/early 80s. Put on your best futuristic clothes (or, possibly a nice old-fashioned tank top), your pallid makeup and your best deadpan expression for…